By Ha Jin
A New York Times striking e-book the best Books of the yr: Chicago Tribune, Chicago Sun-Times, leisure Weekly, SlateIn A unfastened Life, Ha Jin follows the Wu family members -- father Nan, mom Pingping, and son Taotao -- as they sever their ties with China within the aftermath of the 1989 bloodbath at Tiananmen sq. and start a brand new existence within the usa. As Nan takes on a couple of menial jobs, finally working a restaurant with Pingping, he struggles to evolve to the yankee lifestyle and to carry his kinfolk jointly, while he pines for a girl he enjoyed and misplaced in his formative years. Ha Jin's prodigious skills are in complete strength as he brilliantly brings to existence the struggles and successes of the modern immigrant experience.
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105–12). 2). 4–5). This does not, of course, mean that these ancient readers were as closely dependent on Cicero for background material on his contemporaries as we are. Nor should one deduce from it that a Cicero-centred reading of the period is dispassionate and accurate, devoid of ideological or cultural bias: on the contrary, as we shall see shortly, Cicero mattered as a writer not least for what he was thought to represent politically. But it does show the difficulties we face if we are to attempt to make any assessment of the period that does not simply place Cicero’s perspective at its centre: we are battling against not only the limitations of our evidence, but the whole tradition of literary history.
Their scripts were initially the jealously guarded possession of the companies that commissioned and performed them. Rome of the third century was unlike Athens of the fifth, where drama’s role in civic and religious life bestowed official status and made it a cultural benchmark. The citizens who wrote, produced and performed Attic comedy and tragedy, who competed for its prizes at the great festivals, rehearsed its choruses, created its costumes and entertained its audiences had every reason to record and preserve the evidence of their success in monuments, inscriptions and, at least by the midfourth century, official copies of the plays performed.
For the emerging epic aesthetic and its social position, see Barchiesi (1993a), Hinds (1998: 52–74) and Ru¨pke (2001a). Garbarino (1973) and Kaimio (1979) gather important source material for the influx of Greek culture in the midRepublic. For Philhellenism as a cultural phenomenon in this period, see Gruen (1984: 250–72), and for Cato in particular, Gruen (1993: 52–83). Early Roman historiography is the subject of ongoing re-evaluation. Compare Badian (1966), Timpe (1973) and Dillery (2002). The cultural significance of the fabula praetexta is examined by Zorzetti (1980), Flower (1995) and Wiseman (1994: 1–22; 1995: 129–41).
A Free Life: A Novel by Ha Jin