This vast advent to Colonial American literatures brings out the comparative and transatlantic nature of the writing of this era and highlights the interactions among local, non-scribal teams, and Europeans that helped to form early American writing.
Situates the writing of this era in its a variety of old and cultural contexts, together with colonialism, imperialism, diaspora, and kingdom formation.
Highlights interactions among local, non-scribal teams and Europeans through the early centuries of exploration.
Covers quite a lot of ways to defining and studying early American writing.
Looks on the improvement of neighborhood spheres of impact within the 17th and eighteenth centuries.
Serves as an important adjunct to Castillo and Schweitzer's 'The Literatures of Colonial the United States: An Anthology' (Blackwell Publishing, 2001).
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Additional info for A Companion to the Literatures of Colonial America
Nonetheless, most scholars today dismiss the truth-value and political implications of tribal origin stories. We find the same attitude expressed by colonial writers hundreds of years ago. For example, Father Louis Hennepin in his Description of Louisiana (1683), a record of his travels in the upper Mississippi Valley and among the Sioux, portrays the oral histories of Native peoples as deeply unreliable: If in Europe, we were like them deprived of writing . . we would not be less ignorant than they.
It begins with an appreciation of indigenous textual forms not yet acknowledged or included in anthologies such as The Literatures of Colonial America, and then reviews anthologized texts such as oral narratives, historical documents, and writings by Native authors. My goal is to map out the serious methodological challenges which characterize study and instruction of early Native American literature, as well as to advance scholarly consideration for this rich and incomparable body of American literature and the dimensions of indigenous experience it represents.
The model of regional history as thematic montage clearly offers an intriguing way to configure ‘‘Haiti’’ as the product of multiple New World events and interpretations without losing the specificity of ‘‘Haiti’’ as place. One could imagine what Arthur and Dash do for Haiti being done individually for a variety of New World regions. Once completed, for purposes of comparison, individual regional ‘‘anthologies’’ could then either be collected together or, more intriguingly, reconfigured in terms of shared and different themes to which a variety of texts and performance traditions across the hemisphere respond.
A Companion to the Literatures of Colonial America